Becoming the Forest #2

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'Treading the arboreal pathway through the backwoods of black metal'

Becoming the Forest is an open-ended publication, which looks at our relationship to our surroundings, with a specific focus on the Northern hemisphere’s abundance of dense spruce forests, and how the aesthetic and philosophy of the musical subculture of black metal has become entangled with this topography.

Becoming the Forest is a wider and ongoing arts project by artist Una Hamilton Helle, of which this publication is the latest instalment. The publication includes essays, interviews, illustration and photography and brings together international voices from literature, the visual arts, science, art history and the musical realms. These include contributions about the molecular memory of spruce trees, musings on the animistic worldview, an introduction to folkloric painter Theodor Kittelsen and interviews with black metal-inspired bands that touch upon everything from the eco-dystopian to the mundanity of nature.

Contributors: Alkerdeel, Ashtoreth, Botanist, Lotte Brown, Camilla Christensen, Audrey Ewell, Fen, Carl Gunnar Fossdal, Una Hamilton Helle, Hexvessel, Ibrahim Ineke, Amelia Ishmael, Sarah Jury, Theodor Kittelsen, Mork, Occvlta, Trond Sebastian Rusten and Andrew Walter.

Table of Contents

Una Hamilton Helle in conversation with Carl Gunnar Fossdal
Inn I De Dype Skogers Favn – Epigenetic memory in the Spruce Tree
In which an artist and a scientist speak about their connection to trees on the molecular and mythological level and ponder whether trees have consciousness.

An interview with Occvlta
Wherein black metallers speak of growing up between beech tree woods, pagan burial sites and the East German border.

Amelia Ishmael
Here the repellent harpies make their nests
In which a dark and hungry narrative is woven in the night time world of a Dantean concrete landscape. Illuminated by Ibrahim Ineke.

An interview with Ashtoreth
Wherein we follow the drone musician down a shamanic path through inner and outer landscapes.

Camilla Christensen
Against The Mighty Ominous Forces of Nature: Nature, myth and national identity in the art of Theodor Kittelsen
In which we are introduced to the creatures of Norwegian folklore and the circumstances that led to a 19th century artist bringing them out of the undergrowth and back into the collective consciousness.

An interview with Alkerdeel
Wherein the filthyblacksludgedronedoom band talk about the wildlife of rural Belgium, the stench of nature and lawnmowers.

Audrey Ewell
Goodnight, goodnight
In which Audrey recounts life with partner and collaborator Aaron with whom she made Until the Light Takes Us, a documentary about the story of Norwegian black metal.

An interview with Mork
Wherein a gateway to an unholy wooded kingdom of decay is opened.

Una Hamilton Helle
Z4006: Mapping the Norway Spruce’s DNA
In which we discover how the secrets of an organism with genetic material seven times larger than the human genome were brought to light.

An interview with Hexvessel
Wherein Mat McNerney tells us of the frozen landscapes of Lapland, the astral teachings of the Ancient Egyptians and the ritual importance of Iron Age bogs.

Lotte Brown
Dusk is not a good time to go to the supermarket
In which a Belgian in search of solitude spends months alone in a house in the wooded foothills of the Catskills.

An interview with Fen
Wherein the Watcher takes us for a walk under the expansive skies of Eastern England.

Sarah Jury
Yasuni Travelogue
In which a trip deep into the Amazonian jungle calls up unsettling questions about the oil-stained effects of the Anthropocene.

An interview with Botanist
Wherein we are introduced to the Verdant Realm of the Botanist and his dystopian floral-centred philosophy is mapped out.

Further artworks by
Una Hamilton Helle, Ibrahim Ineke, Sebastian Rusten, Andrew Walter

Edited by Una Hamilton Helle and Lotte Brown.
Published by Het Bos Antwerpen.
Supported by the Norwegian Arts Council.
Designed by Gerard Leysen.
Released 2017, reprint 2019.

120 pages, 210x135mm, black and white.
Second print edition.
ISBN 9789090303468